i mean that in a good way (the album is done, not the band). a bit of an incentive to finish as several tracks are now in rotation on wnyz in new york city. so the release date has moved up and we’re all talking about some live shows now. stefan is in london. josh is in sydney. mike is in indianapolis. that will be fun to work out. anyway, this one is coming out on ingot rock soon (this month? it’s completely my decision and i haven’t decided…). we’re going to time it to conicide with a promotional campaign on wnyz, and that isn’t quite ready yet. so hurry up and wait, here come the sleep-ins!
Had to rework some release dates on Ingot Rock — essentially, moving everything back a couple of months while the holidays and some very bad weather dominated our lives here in NC.
Still in the studio, diligently working on the Sleep-Ins, because it truly never ends! The good news: Running Out Here is absolutely done and sounds better than it ever has. The bad news: sometimes improving one song makes another sound less-than-stellar, as a result. Realistically, there’s not much more that can be done, though, so here’s to hoping I really can get those tracks finished by summer. I’m going to say I can… there’s really only 2-3 left to do, and all that’s left are tiny details.
And yet they matter SO much.
Even moreso, the homeowners (waxon, the spoots, gas station sandwiches, the butter spot). More music I’ve been making. It’s a secret. Maybe you’ll get to hear it one day.
Also, a quick word about the apparent and imminent demise of another wonderful label, Karmic Hit. This is truly a shame, as there are few labels left in the world that so obviously relished the opportunity to bring good music to the rest of us. All the best to John Kilbey in his future endeavors; when I was in Australia he was the first to give me a chance at doing something worthwhile, which is something that I’ll always appreciate & never forget.
back in the old days we recorded without computers. yeah, imagine that. we used little machines called 4-tracks that needed cassette tapes (again w/ teh analog). this mode of recording was easy to set up and sounded pretty good (especially the drums, when they were recorded right & in tune) — not really ever “pro” quality, but then what we did actually sounded better without the gloss…most of the time.
the problem with analog recording is it takes longer to mix because you actually have to wait until the tape forwards or rewinds, and it takes a lot longer to edit because that usually involves splicing the tape and/or having another tape machine. in reality, editing wasn’t even a viable option; you were much better off trying to get your takes as close to perfect as you could because there was no way you were taking a razor blade to your master.
well, after many years of 4-trackin’ i ended up with a bunch of tapes. and (wouldn’t you know it) it’s been a long while since i’ve actually owned a machine that will play them. so…hmm, what to do?
ah yes, that’s right, i borrowed heath’s machine. a long time ago. he asks me about it sometimes.
as it turns out, what i’m doing does serve his interests, because he’s on quite a few of the tapes. last night i began the process of recording all of those tapes onto my computer, track by track. there are over 30 tapes so as you can imagine it’s taking a while. between each recorded segment i have to recheck all the levels because pretty much everything was done at different times with different equipment. going through a single 45 minute tape can end up taking 2 hours or more. it’s a labor of love.
i started with tape 1 but realized i might have to prioritize things a bit and moved right into the raydons sessions, which i’ve been meaning to do for months. i actually discovered a few gems in there amongst the usual suspects (alternate version of so happy today, and a raucous version of a splinters song featuring fernando the mystery bass player). the best discoveries will end up on some sort of raydons release through ingot rock, i reckon. about a year ago i was holding out hope that the “new” raydons could overcome the logistics and finally get some tunes down, but i think regardless of that outcome, this stuff needs to get out there. i’m guessing it will, sometime this year.
which reminds me – heath called a few days ago and said he might be visiting. i wonder if he wants his 4-track back?
back in the old days when i didn’t know squat about the interneck or graffik desing i made some bad decisions, and i didn’t really understand the value of keeping high resolution copies of my creations. so the originals are gone. i’m recreating some and starting from scratch on the rest. my latest attempt is the mad scientist, kingsizerobot homecoming pageant & parade cover. this was always one of my favorites because of the simplicity and the value of letting the pictures tell the story. whatever that story is.
i took all those pictures in the southern-ish indiana area (in the areas of bloomington and french lick for the record) with an old argus camera. that’s genu-ine sepia tone (teh analog kind) – not none of that photoshop bs.
o ya, this is getting released via the ingot rock next week (or so… it involves logistical realities). on cd available through amazon and the ingot rock store. also download it now for the super cheap price it will be until it shows up on amazon…(!)